Patrick Blute is no Andrew Lloyd Webber.
Webber was 23-years old when he famously staged the rock musical “Jesus Christ Superstar,” which debuted on Broadway in 1971. Blute, a 23-year-old ColumbiaUniversity grad, is the creator of “Spears The Musical – The Gospel According to Britney,” for which there is a funders preview this week.
“Jesus Christ Superstar” was fairly faithful to the Gospel account of the last week in the earthly life of Christ before He went to be with the Father. It featured such notable songs as “I Don’t Know How to Love Him,” “Gethsemane,” and, of course, “Superstar,”with music by Webber and lyrics by Tim Rice.
‘The Gospel According Britney,’ on the other hand, is Blute’s twisted account of the greatest story ever told, which he conveys through the songs of Spears, including ‘Stronger,’ Crazy,’ ‘Lucky,’ and ‘One More Time.’
“These are Britney’s lyrics,” said Blute. “These are Britney’s lyrics. The Britney Spears you see is not Britney Spears. The Jesus Christ you read is no Jesus Christ. These are manifestations. Accounts through the media, through the words of followers, of friends, of foes, of villains, of heroes, of liars, of biases.’
The tell-tale word Blute uses is “‘biases.” The native of San Francisco – Sodom on the Pacific – perceives those of us who hold fast to traditional Christian values – like the sanctity of life and marriage strictly between man and woman – as foes. We are villains. We are liars. We are biased.
Blute prefers his own version of the Gospel, where anything goes, no matter how unGodly; where all are automatically absolved of sins – without confession, without repentance – by “the power of forgiveness.”
That’s not the Gospel to which true Christ followers subscribe, who are informed by the words of the Apostle Paul: “Do not be conformed to this world, but be transformed by the renewing of your mind, that you may prove what is that good and acceptable and perfect will of God.”
Blute is an idol worshipper who has made Britney his personal Jesus, like all too many of her 33.6 million Twitter followers.
He no doubt hopes his bizarre, sacrilegious tribute to Britney will somehow endear him to the pop star – because she is gay friendly. But he may very well find that just the opposite occurs – not the least because Blute has appropriated his idol’s copyrighted music without permission or payment.
And young Miss Spears may also be offended that Blute has used her work to mock the Gospel she grew up with as a Southern Baptist. For while she may have fallen away in recent years from the faith of her youth, the Holy Spirit still resides within her.